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In his defense Perry’s play is this muddled as well and what saves his play is the same thing that saves this film: Madea. Madea is Helen’s trash talking, pistol toting, you’re going to respect me or I’ll put a cap in your behind, grandma. Played by Perry himself she steals the film and makes sitting through this 116min rambling mess worth it.

Outside of Madea there’s not that much else to say about this movie. Tyler’s appearance as Joe, Madea’s cantankerous, dirty old man, brother is the only other bright spot in the film, as we watch him fight with Madea and hit on anything that moves. Kimberly Elise, albeit a very talented actress pouts, yells, screams and otherwise overacts her way through the role of the jilted Helen. And the absolutely handsome Shemar Moore from The Young and The Restless is convincing, although uninteresting as Orlando, Helen’s new and sappy love interest. Orlando’s dialogue couldn’t get anymore cheesy or saccharine, “I’ll love you through your pain” or “I’ll be your knight in shining armor.” Although he delivers these lines as if he sincerely believes what he saying it stills sounds as if it is straight out of a bad romance novel.

I will say that if you like Perry’s stage work, then you will love this movie. He stays true to what works for him on stage, so you Perry fans won’t be disappointed. However, if you’re unfamiliar with Perry and his work and you were thinking about seeing this film, don’t. You’ll be sorely disappointed and will demand your money back.